Robert Baines

2008, Jewelerswerk, Washington D.C.;
2007 Schmuck 2007, Munich; Victoria and Albert Museum, London; Galerie Biró, Opposition is True Friendship, München;
2006 Schmuckmuseum, More Jewellery-Time Travel in the Jewellery Museum Collections, Pforzheim;
2005 Schmuck 2005, Munich; Museu Nacional de Arte Antiga, Closer, Lisboa;
2003 Bijou Contemporain, Robert Baines und Karl Fritsch, Cagnes-sur-Mer; Stadtische Galerie im Rathausfletz Neuburg an der Donau, Schmuck, Robert Baines und Karl Fritsch Schmuck, Neuburg;
2001 Bayerischer Kunstgwerbe-Verain, Micromegas; Stadtische Galerie im Rathausfletz Neuburg an der Donau; Helen Drutt Gallery, Philadelphia; Commemmorative Medals/Trophies:The Politics of History, Philadelphia; Tarbekunstimuseumis, Spectaculum, Tallinn;
1999 Hokkaido Museum of Modern Art, Contemporary Australian Craft: A Japanese View, Hokkaido; Takaoka City Art Museum, Takaoka; Museum of Modern Art Shiga, Shiga; Customs House, Sydney;
1998 Schmuck ’98, Müchen; National Museums of Scotland, Jewellery Moves, Edinburgh; Helen Drutt, Philadelphia, Brooching it Diplomatically : A Tribute to Madeleine K. Albright, Philadelphia, The Museum of Contemporary Art’s, Hertogenbosch, Konstindustrrimuset, Helsinki, Kunstgwerbemuseum, Berlin, Schmuckmuseum, Pforzheim; 19th & 20th Century Australian Painting Sculpture and Decorative Arts 1997, Sydney & Melbourne, Granulation 1996. Internationaler Schmuckwettbewerb; Pforzheim, Hanau, München, Münster, St. Gallen, Erfurt and Augsburg, 376 Collins St, Ord Minnet, Melbourne; Lauraine Diggins Fine Art, Australian Decorative Arts Survey 1995: The Object All Sublime, Melbourne, National Gallery of Victoria; Lauraine Diggins Fine Art, The Changing Face of Melbourne;
1841-1993, Melbourne;
1992 Art Gallery of Western Australia, Design Visions – the 2nd Australian International Crafts Triennial. Australia – New Design Visions, Perth;
1991 Canberra School of Art Gallery, Contemporary Australian Hollow Ware, Canberra, Australia, Art Gallery of Western Australia, Perth, Wagga Wagga City Art Gallery, Wagga Wagga, Australia, National Gallery of Victoria, Melbourne, Hamilton Art Gallery, Hamilton, Australia;
1989 Hamilton Regional Gallery, Directions –Silversmithing, Hamilton, Australia, Australian High Court, Canberra, Australia; 1988 Australian National Gallery, Australian Decorative Arts 1900-1985, Canberra, Australia;
1985 National Gallery of Victoria, Treasures from Australian Churches, Melbourne, Orgehang, Galerie am Graben, Vienna;
1984 Galleries of Victoria, Four Directions, Mildura, Benalla, Morwell, Horsham, Australia; 1982 Australia Council, Australian Jewellery, European Tour;
1981 Axion Gallery, One Year Later, Melbourne; Schmuckmuseum, Tendenzen 1982, Pforzheim;
1980 Australia Council, Objects to Human Scale, toured Japan, Hong Kong, Phillipines.

The Metropolitan Museum of Art, New York;
Schmuckmuseum, Pforzheim;
Victoria and Albert Museum, London;
Ville de Cagnes-sur-Mer;
Deutsches Blockflötenmuseum, Fulda;
Museum of Fine Arts, Houston;
Waikato Museum of Art and History, Hamilton, New Zealand;
Australian National Gallery, Canberra;
National Gallery of Victoria, Royal Melbourne Institute of Technology, Banyule Art Collection, The Victorian State Craft Collection, Melbourne; Art Gallery of Western Australia, Perth, Australia; Diamond Valley Art Award Collection; Art Gallery of South Australia, Adelaide, Powerhouse Museum, Sydney, Queensland Art Gallery, Brisbane, Australia.

2008 Friedrick Becker Preis;
2007 RMIT University Research Prize for outstanding Thesis, Australia;
2005 Bayerischer Staatpreis 2005 gold medal, 57 Internationale Handwerksmesse, Munich; RMIT Innovation Research Award, Portfolio of Design and Social Context, Australia;
1997 Cicely and Colin Rigg Craft Award, National Gallery of Victoria, Australia;
1975/ 1974 Diamond Valley Award, Australia;
1970 Puzsar Award, RMIT, Australia;
Best Third Year Jewellery Award, RMIT, Australia

Darling Publications, Metrosideros Robusta, “Cosmic Circus”, 2006
Macmillan Art Publishing, Bracelet’Java-la-Grande, 2006, Sydney;
RMIT University Press, Partyline A,AAA,AAA-Redevent, 2004, Melbourne.
Metalsmith, “What’s New in (Very) Old Gold? Robert Baines Shows All, vol.21 no.1 pp.26-33, USA
Catalogue, Galerie Biró, Stopping at the Red, Munich.
National Gallery of Australia, Material Culture, 2000, Canberra, Australia
Schmuck Magazin, Blut, Gold und Coca-Cola, pp.64-67, Aug/Sept, 4/2000, Germany
Helen Drutt, Brooching it Diplomatically: A Tribute to Madeleine K. Albright, pp.24, 25, 146, 1998, Philadelphia.
Catalogue, Galerie Biró, The Intervention of Red, 1997, Munich.
Malakoff Press, Australian Decorative Arts Survey 1994, 1994, Melbourne.
British Museum, Technical antecedents of early Hellenistic disc and pendant ear ornaments, “The Art of the Greek Goldsmith, London”, pp. 122-126, 1993, London.
Craft Victoria, Robert Baines and the Deconstruction of Masculinity, Vol. 23, No. 220, p.3, 1993, Melbourne.
Catalogues, Lauraine Diggins Fine Art, Adventures of the Archegos’, 1992, Melbourne.
Malakoff Fine Art Press, Australian Modernism: The Complexity and the Diversity, p. 49, 1991, Sydney.
Catalogue, New Zealand Limited, Robert Baines, The Art of the Goldsmith, 1991, Auckland.
New Zealand Crafts, Robert Baines: Artificer of the Metaphysical, p. 16-17, Summer 1989, Auckland.
Boolarong Publications, Dictionary of Living Australian Artists and Galleries, 1984, Brisbane.
National Gallery of Victoria, The Jewellery Collection, p.12-13, 1984, Melbourne.
Catalogue, Schmuck Museum, Schmuck, 1982, Pforzeim.
Catalogue, David Jones Art Gallery, Sculputure to be Worn, 1978, Sydney.